microphones in the trees

Tuesday, October 13, 2015

norma lyon

"a collection of 16 pieces privately released by Norma Lyon in the late 1960s. all are original compositions for piano and organ. dark, moody and dramatic, each of these “sketches” was inspired by a place Ms. Lyon has lived. the tone of the record is set by its fantastic titles, including “Flight of the Spirit Geese,” “Phantom Cathedral of the Sea” and “Dirge of the Sea Gods.” the first side, “Dune Sketches,” is based on a period when she lived amidst the dunes in southwest Oregon. the second side, “Sea Sketches,” is drawn from the time she spent living with her twin sister overlooking the ocean in Coos Bay." little axe

"Norma Lyon was an Oregon, pianist, composer and children's book illustrator. she spent many years living in a small cabin in Hauser around the coastal dunes of Oregon which provided the inspiration for the first side of the record: Dune Sketches. the liner notes detail a series of setbacks for Ms. Lyon including contracting polio and a 1943 car accident which “resulted in the loss of a middle finger and the the thumb above the first joint. Plastic surgery enabled her to regain use of her thumb.” the second side Sea Sketches was inspired by living the last seventeen years in her studio overlooking the sea in Coos Bay. the album had a press run of 1000 copies was probably released in 1968 and Ms. Lyon was hoping that the proceeds from the album would help pay off her mortgage. Ms. Lyons was 58 at the time of the albums release and living with her twin sister. she has a cat named Franz and a dog named Bobby. she was at the time of the article (August 1968) working on a childrens record and book whose narrative was some sort of underwater puppet adventure where “happiness triumphs over tragedy.” backroom

si te gusta 'church organ' de Sun Ra, las sonatas para piano de Chopin, la banda sonora de las películas mudas en blanco y negro, Korla Pandit, Pierre Palla, las cascadas de piano de 'pianoketo' de Antti Tolvi (mmm), la música de órgano de los años treinta, la preciosísima 'meditation' de gurdjieff /hartmann y este mini compilado de Salvador, te enamorarás de Norma Lyon (compositora y pianista) y Marie Celia Dunn (órgano). todos los detalles de la vida de Norma, en este artículo de 1968.

Sunday, October 11, 2015

armando sciascia

"composed by Armando Sciascia in 1972, this unique library concept LP of sublime underwater sounds, ideas and trips is at last available to mere mortals. Sciascia is one of the Italian musical legends, whose other work includes classic spaghetti westerns, bizarre electronics and experimental modern orchestrals for synchronisation. the original Sea Fantasy LP is notoriously hard to find, and for many is a high point in deep underwater sounds, experiments and moods. 500 vinyl copies only. limited distribution. buy now if you are a fan of Jacques Cousteau, De Roubaix, Italian library music, scuba diving, snorkels, wearing wetsuits or you get the paddling pool out on a hot summer's day." trunk

un regalo y un recuerdo de otra época: shipwreck! nada me haría más feliz que trunk se acordase también de Walt Rockman y 'underwater vol. 1'.

Friday, September 25, 2015


"What makes this tape different from all other Ignatz tapes? Not much really. The hermitic constancy of Ignatz’s songs is part of his greatness. This is Belgium’s finest guitar loner doing what he always does~sending chills down spines by way of the minor pentatonic.

There is, however, something distinctly “at ease” about these recordings. They are longer and dreamier than previous ones. Ignatz’s voice is softer and rounder. What once were funeral songs now sound hymnal; some almost have an Americana pietism. Perhaps the move from Brussels to the small town of Landen gave license to Ignatz’s solitary tendencies. I’m inclined to believe in the album title’s joyousness (the last one was called “I Hate this City”). I guess this is Ignatz when things are going pretty well." goaty tapes

Thursday, September 24, 2015

hybrid palms

~ created during a journey to Puerto Rico ~ hybrid palms

 "melancholy minimalist tropical new age resplendence. palms were already my favourite tree ~ more so now." metaphysical digital

Tuesday, September 22, 2015

sunmoonstar / maia ibar / sapropelic pycnic

"Twins Springs Tapes is proud to offer this, the debut album from Sunmoonstar (Natasha Home, Sydney, Australia). Panoramic frequencies and percussive surfaces weave satiny landscapes. Pastel planes reflect soft complexities of clouds." 

"Maia Ibar of Dual-Split is experimenting with restorative sound voyages. She is interested in assisting you, her, him, them, to come into natural states of balance and harmonies through tones, frequencies and sound. Mysterious but familiar senses of timelessness, traveling through space, or back in the womb... Seeing "when you close your eyes," and "I see." We can always see, we are awake, we are awake."

synths, bells, chimes, drums, tibetan bowls, vocals: Maia Ibar 
guitar, bass: Baptiste Ibar 
vocals: Jean-Pierre Ibar 

listen ~ buy

sapropelic pycnic ~ see sun think shadow (perfect wave, 2015)

"Sapropelic Pycnic is the solo project of Kathleen Baird of long running avant psych project Spires That In The Sunset Rise. On her debut release as Sapropelic Pycnic, Baird releases a stunning 8 track record of piano improvisations performed on a Steinway Grand in December of 2011 in a church in her hometown of Decatur, Illinois recorded just days before her father’s passing on December 30, 2011. These improvisations have a raw focus that premiere Baird’s piano training as well as very own style of punctuation, spacing and repetition. Her approach brings to mind the playful, spacious qualities of Emahoy Tsegue-Maryam Guebrou, the unrestraint of Cecil Taylor, the rolling arpeggiations of Alice Coltrane, and the ghostliness of Arvo Part." 

buy vinyl ~ listen / buy

Thursday, September 17, 2015

kyle landstra – unshared properties

Quadruple-cassette, limited to 50 copies, will be released on September 25, 2015

When your perception is affected on many levels starting from basic emotion and achieving pure transcendent states of deep meditation experiences – it is a certain sign of good ambient music. What started as an experimentation with lo-fi drone patterns, blossoms now as a gorgeous crystal-clear universe of wide spectrum sounds. Through last few years Kyle's music saw an exponential grow and what we have now presented by always inspiring Sacred Phrases label as a four(!) tape documentation of extensive exploration of variety of synths & effects. Creating different worlds, Kyle Landstra takes us to a journey where astronomical-scaled objects are decorated with exquisite microscopic details and we are constantly moving between them, touching surfaces full of light inside them, feeling warmth of hidden energies and smelling an odours never experienced before. Powerful, but still minimalist sequencing meets here multi-layerness of drones and early-morning pureness of reverberation. Minds are open, all energies interconnected – it's easy to feel the links between Universe and yourself, to travel that way. Ever-unfolding fractal of manifestations that we usually call life. 

In terms of listening, "unshared properties" serves as a powerful tool for consciousness expansion. Usually equal to psychedelic experience it is yet not the same thing. This music isn't hazy or confusing, it has no intention to overwhelm the listener. Instead of that, Kyle creates a state of total awareness, when you can feel everything perfectly clear, when all impressions are perceived simultaneously, but you can easily focus on any selected and move forward watching it evolve without losing attention to any other detail. It's a certain sign of masterpiece and I hope that time will prove this. Meanwhile, we are here and now – probably watching the dawn of a new era in electronic ambient music, and Kyle Landstra works at the forefront of it. 

Thursday, September 03, 2015

blue communion: isam

existen pocos músicos tan apasionantes como Sam Jones, el hombre que graba como Bill Doob aka Virtually Underwater aka... o igual es cosa mía, pero decidme si hay alguien, con permiso de Robert Aiki Aubrey Lowe, que transmita una aura de espiritualidad y misterio tan grande. estoy muy emocionada con esta cinta. tres años después de algo tan delicioso como 'celestrial stairway' seguía esperando alguna señal. primero fue su cinta en mmm sound, y de repente inaugura su página de bandcamp con tres cintas nuevas (dos las tengo en mis manos, 'cloud forest' y 'mirror/time' son reales aunque no lo parezcan, por cortesía del propio Sam Jones. gracias gracias gracias). y 'aqua abduct' (¡aqua abduct!) del 2010. estoy literalmente desbordada, quería hablar de todas, pero hay algo diferente en 'dream time in totem land' (un proyecto que al parecer seguirá creciendo) con respecto a las demás y a Inspired School of Astral Music en particular. Bill Doob da rienda suelta a su vertiente más tribal y alcanza la hipnosis total al más puro estilo Tuluum Shimmering. inevitable pensar también en Clime y sus civilizaciones antiguas. percusiones totémicas, tribus amazónicas extraterrestres, vibraciones, frecuencias, resonancias y ese órgano lisérgico-celestial inconfundible que me desarma. en 'totem 3', lo más bonito del mundo, las notas flotan más ligeras y atemporales que nunca. pienso en Hariprasad Chaurasia sentado junto a Mammane Sani et Son Orgue, tal vez por el organillo de aroma ligeramente hindú que parece una flauta... el cielo. Sam Jones es, junto a Günter Schlienz, Jake Webster y Josh Burke mi debilidad más debilidad. ancestral, lunar, hipnótico, adictivo. no me importaría volver a escuchar dream time ahora ni dentro de un rato ni dentro de un par de horas ni mañana ni pasado ni al otro...

collage: drew taylor

listen ~ buy